13th interviewees

Directed by Ava DuVernay. You’d think from 13th that crime didn’t exist.

“Law and order,” the film argues, is a code phrase for a form of slavery that exists right now, unrecognized. Starting with D.W. Griffith’s “The Birth of a Nation”, DuVernay traces the myth of the scary Black felon with supernatural levels of strength and deviant sexual potency, a myth designed to terrify the majority into believing that only White people were truly human and deserving of proper treatment. It did not turn me into a reactionary, but I bridle when I hear that urban crime in the ‘80s was largely the creation of the media.) That clause, which converts slavery from a legal business model to an equally legal method of punishment for criminals, is the subject of the Netflix documentary “13th.” The movie is frankly exhausting, with too much information (and too many brilliant interviewees) to do justice to here. The fact that people can disregard this for the myriad of completely shallow reasons such as, "I stopped watching when I realized it was against Trump and for Hillary" is laughable.

| Each interviewee is shot in a location that evokes an industrial setting, which visually supports the theme of prison as a factory churning out the free labor that the 13th Amendment supposedly dismantled when it abolished slavery. 13th is a 2016 American documentary film by director Ava DuVernay. Can’t think of a better reminder that every vote counts than to interview people who lost their elections by just one vote. The documentary states that crime was lower overall than it had been in decades, but that Republican candidates raised it to generate fear. He pops up in a section on the rise off mass incarceration during the 1980s that’s tied to crack cocaine and the racial gap in arrests and sentencing. Yet Ms. DuVernay — best known for “Selma,” and a filmmaker whose art has become increasingly inseparable from her activism — has made a movie that’s as timely as the latest Black Lives Matter protest and the approaching presidential election. (as Khalil G. Muhammad), Self - Interviewee "13th" charts the explosive growth in America's prison population; in 1970, there were about 200,000 prisoners; today, the prison population is more than 2 million. Politicians and businessmen in rural areas encouraged construction of prisons to supply local jobs, and they also allegedly have had incentives to keep prisons full. When Bryan sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller. | An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality. 13th is a 2016 American documentary film by director Ava DuVernay.The film explores the "intersection of race, justice, and mass incarceration in the United States;" it is titled after the Thirteenth Amendment to the United States Constitution, adopted in 1865, which abolished slavery throughout the United States and ended involuntary servitude except as a punishment for conviction of a crime. The movie argues that this mindset — and a militarized police force — has made beatings and murders of prisoners epidemic. (archive footage) (uncredited), key grip: San Francisco/Oakland (as Carlos Lopez), first assistant camera: San Francisco/Oakland.

Ms. DuVernay isn’t the only American director to take on race and the prison industrial complex (Eugene Jarecki’s “The House I Live In” charts adjacent terrain), but hers is a powerful cinematic call to conscience, partly because of how she lays bare the soul of our country. Now, with the United States having 25 percent of the world’s prisoners, a disproportionate number of whom are black, mass incarceration has become “metaphorically, the new Jim Crow.”. If not, will the day come when all things will be equal? DuVernay has attempted to give mass incarceration (2.3 million people in the U.S., 40 percent of them black), Black Lives Matter, and white racism an economic context. Already a subscriber? In post-industrial Ohio, a Chinese billionaire opens a factory in an abandoned General Motors plant, hiring two thousand Americans. Mr. Norquist puts the onus for this disparity on politicians (calling out United States Representative Charles B. Rangel, another interviewee), stating that it had nothing to do with — as he puts it — “mean white people.”, The documentary might have benefited from more articulate jaggedly discordant voices than Mr. Norquist’s to enrich the dialogue and as a reminder of the other views on race, history and the criminal justice system, including those in the mainstream.

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality. Read his answers to our Movie Love Questionnaire here. (as Jelani Cobb), Self - Interviewee

(as Jelani Cobb). The title refers to the constitutional amendment that freed the slaves — but left them to their own devices in a crushed economy and a predatory culture. He runs the blogs Big Media Vandalism and Tales of Odienary Madness. We are republishing this piece on the homepage in allegiance with a critical American movement that upholds Black voices. When the 13 th amendment was ratified in 1865, its drafters left themselves a large, very exploitable loophole in the guise of an easily missed clause in its definition. Filming & Production We see Hillary Clinton talking about “super-predators” and Donald Trump’s full-page ad advocating the death penalty for the Central Park Five (who, as a reminder, were all innocent). [10], On Rotten Tomatoes, the film has an approval rating of 97% based on 101 reviews, with an average rating of 8.78/10. As late as the 2016 presidential election, the eventual winner Donald Trump worked to generate fear of crime, claiming high rates in New York City, for instance, which was not true according to the documentary.

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